hen he touches the string and draws forth from it tones that for beauty have hardly ever been exceeded when his eye shows what his heart feels, it is then that our admiration is at the highest, and we confess the power of the youthful genius. “A well-proportioned, remarkably fair child, with an animated countenance, whose long flaxen locks curl gracefully over his neck and shoulders, and whose every attitude and action seem elegant by nature….
The editor of the most influential music magazine in England described Regondi as: Critics and audiences seem to have been as astounded by the tiny guitarist (who in at least one concert played sitting on a grand piano so he could be seen and heard) as they were by Paganini. 46 (1831) to the young Regondi.ĭiminutive Giulio arrived in London in May 1831, and gave his first concert the following month–the same month as Paganini, though Paganini was by now an established wizard of 49 years old. No less a genius than Fernando Sor dedicated his Fantaisie “Souvenir d’Amitiè,” Op. Even at the age of seven, little Giulio was getting reviews that leave the word “rave” sounding pallid and limp. There’s some uncertainty as to his birth, around 1822, but before he was nine years old he had played at every court in Europe except Madrid, traveling with his father (or possibly his step-father or foster-father), himself a talented guitarist and baritone. But with all due respect to Derek, I’m going to have to say that the greatest eight-year-old guitarist of all time was Giulio Regondi. And to be sure, most great guitarists were prodigies. Or maybe you’ve heard the stories about Segovia and the great flamenco player Sabicas, both of whom were said to have been able to hear a piece of music played on the guitar and then reproduce it themselves-at the age of five. You’re probably thinking Derek Trucks, who was playing with his uncle Butch at the age of nine and was sitting in with Buddy Guy at the age of twelve.
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When students practice their instruments or sing along to digital sheet music they receive immediate feedback from Music Prodigy, helping them to quickly and efficiently improve. Teachers receive quantified reports of their students' performances and progress. Teachers manage and assign exercises and repertoire as homework. Music Prodigy is for music teachers and students.
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